THE MAGIC OF ANGKOR WAT
Angkor Wat in Cambodia, is the largest monument of the Angkor group and the best preserved, is an architectural masterpiece. Its perfection in composition, balance, proportions, relief's and sculpture make it one of the finest monuments in the world.
Angkor is one of the most important archaeological sites in South-East Asia. Stretching over some 400 km2, including forested area, Angkor Archaeological Park contains the magnificent remains of the different capitals of the Khmer Empire, from the 9th to the 15th century. They include the famous Temple of Angkor Wat and, at Angkor Thom, the Bayon Temple with its countless sculptural decorations. UNESCO has set up a wide-ranging programme to safeguard this symbolic site and its surroundings.
Wat is the Khmer name for temple, which was probably added to "Angkor "when it became a Theravada Buddhist monument, most likely in the sixteenth century. After 1432 when the capital moved to Phnom Penh, Angkor Wat was cared for by Buddhist monks.
It is generally accepted that Angkor Wat was a funerary temple for King Suryavarman II and oriented to the west to conform to the symbolism between the setting sun and death. The bas-reliefs, designed for viewing from left to right in the order of Hindu funereal ritual, support this function.
Angkor Wat is a miniature replica of the universe in stone and represents an earthly model of the cosmic world. The central tower rises from the centre of the monument symbolizing the mythical mountain, Meru, situated at the centre of the universe. Its five towers correspond to the peaks of Meru. The outer wall corresponds to the mountains at the edge of the world, and the surrounding moat the oceans beyond.
Even though Angkor Wat is the most photographed Khmer monument, nothing approaches the actual experience of seeing this temple. Angkor provides wonderful photographic opportunities. the monuments and the surrounding jungle afford unlimited textural and lighting opportunities for composing a picture.
Clouds are common and tend to diffuse the light which is somewhat flat even though it is intense. As most of the temples face east the best lighting conditions are in the morning except for Angkor Wat where the best light is in the afternoon because it faces west. the temples surrounded by jungle such as Ta Prohm can be photographed with good results when the sun is directly overhead and shining through the foliage. Just as one is never prepared for the enormous size and overwhelming beauty of Angkor, one is never ready to leave it. With photographs and visions etched in memory, one need never say good-by to Angkor, for its magic will go with you wherever fate and the gods may take you to colour your thoughts and dreams to life's very end.
The name of the monuments at Angkor are often modern ones designated by Cambodians or early European travellers. In publications by the French the enclosures of a temple are numbered starting from the central sanctuary and progressing towards the enclosing walls. The system used in this book reverses the order for the convenience of the visitor. Thus the first enclosing wall the visitor encounters when entering a temple is number one. the numbers ascend from the exterior to the interior of the monument. In many distances, though, only traces of the enclosing walls, particularly the outer one, remain.